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	<title>Managing for Creativity in Japan &#187; merit-based systems</title>
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	<description>Talking with Foreign Executives in Japan</description>
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		<title>Foreign Style Work Environment</title>
		<link>http://a-small-lab.com/managing-for-creativity-in-japan/foreign-style-work-environment/</link>
		<comments>http://a-small-lab.com/managing-for-creativity-in-japan/foreign-style-work-environment/#comments</comments>
		<pubDate>Wed, 13 Jan 2010 23:00:48 +0000</pubDate>
		<dc:creator>Chris Berthelsen</dc:creator>
				<category><![CDATA[Being a Foreign Company]]></category>
		<category><![CDATA[foreign work evironment]]></category>
		<category><![CDATA[merit-based systems]]></category>

		<guid isPermaLink="false">http://a-small-lab.com/managing-for-creativity-in-japan/?p=181</guid>
		<description><![CDATA[“C: From your personal experience, even in terms of dealing with your staff can you see any concrete advantages to being a foreigner? Well, you can promise people a different environment. You can set up a merit-based environment if you are hiring people, for example. In an international company there may be opportunities to travel. [...]]]></description>
			<content:encoded><![CDATA[<p>“C: From your personal experience, even in terms of dealing with your staff can you see any concrete advantages to being a foreigner?</p>
<p>Well, you can promise people a different environment. You can set up a merit-based environment if you are hiring people, for example. In an international company there may be opportunities to travel. But, <span style="font-size: large;"><strong>are people genuinely prepared to accept what a merit-based system actually means? This is something that I would really, really, question </strong></span>because you wonder if people coming to you because they can&#8217;t fit in their own culture or if are they coming to you because they&#8217;re high achievers and they&#8217;re frustrated. Or maybe they think they are high achievers and the people that they work for don&#8217;t agree and the people that they work for are right &#8211; in some sense it&#8217;s not a cultural issue but the fact that you have an incorrect evaluation of yourself (and of course we all believe that we are better than we are&#8230;.) I do believe in picking talent and that has upset people in the past. Don&#8217;t come to me and think that your degree from Keio  University is going to make it easier for you to progress in this company if your work is crap. <span style="font-size: large;"><strong>Maybe as an outsider you can say that it&#8217;s not going to be like what it is in the normal stifling domestic office &#8211; if your work is good you will succeed. Then again, if you work in a merit-based culture then you are going to have to perform, and people are not used to the concept that they really are accountable for their personal performance.</strong></span> (C: So, you have the opportunity for setting up this framework for working and it is up to the employees to work within that&#8230;) Yes, but I&#8217;m not sure that I have a successful formula for that yet though. I tend to think that going too far towards the merit-based system may not be that successful and I don&#8217;t think I&#8217;ve ever experienced a Japanese employee motivated or having their motivation significantly increased by money. This doesn&#8217;t mean that you shouldn&#8217;t give it them, but it&#8217;s not the reason that they come to work. In fact you can cause offense if you make that assumption.”</p>
<p><BR/><br />
****************************************************<br />
<span style="font-size: x-small;">This post is part of a series of excerpts from interviews with foreign executives in Japan, focusing on creativity. Excerpts have been edited for confidentiality.<br />
We&#8217;d love to hear your thoughts and experiences in relation to this topic. Please feel free to comment directly on this site or get in touch at chris@a-small-lab.com (Chris Berthelsen)<br />
All content on this IDEAS and DISCUSSION blog is provided by a-small-lab under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License: You can SHARE this content as long as you CITE this work, and TELL US about your work (and send us a copy or link!). See <A HREF="http://creativecommons.org/licenses/by-nc-nd/3.0/" class="txt" target="_blank">Creative Commons for more detail</A></strong></span></p>
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		<title>Development of a Manager</title>
		<link>http://a-small-lab.com/managing-for-creativity-in-japan/development-of-a-manager/</link>
		<comments>http://a-small-lab.com/managing-for-creativity-in-japan/development-of-a-manager/#comments</comments>
		<pubDate>Sun, 29 Nov 2009 23:00:51 +0000</pubDate>
		<dc:creator>Chris Berthelsen</dc:creator>
				<category><![CDATA[Facilitation]]></category>
		<category><![CDATA[Openness and Trust]]></category>
		<category><![CDATA[becoming a manager]]></category>
		<category><![CDATA[manager]]></category>
		<category><![CDATA[merit-based systems]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[promotion]]></category>
		<category><![CDATA[relationships]]></category>

		<guid isPermaLink="false">http://a-small-lab.com/managing-for-creativity-in-japan/?p=34</guid>
		<description><![CDATA[“Look at the development of a Japanese manager. You&#8217;re growing up as a colleague. Promotion is based on age and stage seniority. It&#8217;s still not (although they do have some merit-based systems now) driven by performance bonuses. Your actual performance is not the real indicator for your promotion; the real indicator is just being there [...]]]></description>
			<content:encoded><![CDATA[<p>“Look at the development of a Japanese manager. You&#8217;re growing up as a colleague. Promotion is based on age and stage seniority. It&#8217;s still not (although they do have some merit-based systems now) driven by performance bonuses. Your actual performance is not the real indicator for your promotion; the real indicator is just being there and your relationships, your rapport with the senior management. <span style="font-size: large;"><strong>The reasons for becoming a manager are intrinsically different from in the West. You don&#8217;t need to be a bringer of ideas or a creative person to be a manager. You need to get along well with people.”</strong></span><br />
<BR/><br />
****************************************************<br />
<span style="font-size: x-small;">This post is part of a series of excerpts from interviews with foreign executives in Japan, focusing on creativity. Excerpts have been edited for confidentiality.<br />
We&#8217;d love to hear your thoughts and experiences in relation to this topic. Please feel free to comment directly on this site or get in touch at chris@a-small-lab.com (Chris Berthelsen)<br />
All content on this IDEAS and DISCUSSION blog is provided by a-small-lab under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License: You can SHARE this content as long as you CITE this work, and TELL US about your work (and send us a copy or link!). See <A HREF="http://creativecommons.org/licenses/by-nc-nd/3.0/" class="txt" target="_blank">Creative Commons for more detail</A></strong></span></p>
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